剧情简介
康沃(🕕)尔渔(yú )村的风(🆓)景(jǐng )明信(xìn )片田园诗误导了人们。虽然(🕟)过(🕸)去(🛍)钓(diào )鱼是一(🤴)种养家糊口的(de )方式，但(🌰)如今(🔬)富有的伦敦游(yóu )(😧)客纷(fēn )纷下山，取代了当地人，当地人的生(shēng )计因此受到威胁(xié )。史蒂文和马丁兄弟的(de )(🚉)关(guān )系也很紧张(📞)。马丁是(🗑)一个没有船(chuán )的渔夫，因为(wéi )史蒂文开始用它来为一整(🧚)天的(🔩)游(yóu )(🥁)客提(📯)供更赚钱(qián )的旅游。他们(men )卖掉(🌊)了这座(zuò )家(jiā )(💻)庭别墅，现在看来(lái )，最后一场战(👓)斗(🙀)是(shì )和(💪)新主人在海(🍄)边的停车位上展(zhǎn )开(kāi )。然(rán )而，情况(kuàng )(⛳)很快就失(shī )(🥕)控了，而(🚴)不(bú )仅仅(⚾)是(🕯)因为车轮夹(jiá )钳。 Bait是(shì )(🛎)一种黑白，手工制作，16毫米(mǐ )胶片制作的电影。许多关于鱼(yú )、网(wǎng )、龙(🐡)虾、长(zhǎng )靴(🔍)、(😙)绳结(⏲)和渔篮(lán )的(💏)特(tè )写(xiě )镜(🔷)头让人想起(qǐ )了蒙太奇景点的理论。对不同社会阶层(🔥)的描述—(⏳)—(🏓)可以说(🍁)是阶(👛)级(🕕)关(😳)系——也让人想(🐂)起(qǐ )了英国(guó )电影中的(de )社会(✖)现实主义传统(🚩)。然而，最重(🈺)要的(de )是(shì )，在影像中不同(tóng )层次的电(diàn )影历史参考文(🐅)献(xiàn )(⛅)之(zhī )下，当前(qián )(🙅)许多政治(zhì )关(guān )联正在等待被发现(🍉)。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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