剧情简介
康沃尔渔村(👷)的风景明信片(🥇)田园诗(🏽)误导了人们。虽然过去钓(diào )鱼是(shì )一种(zhǒng )(🍥)养家糊口的方式(🐉)，但如今富有(yǒu )的伦敦游客纷纷(🌫)下山，取代了当(dāng )地(♑)人，当地人的(🐿)生(🕔)计(🔸)因(yīn )此受(shòu )到(🗄)威胁(🎡)。史蒂(👁)文和马丁兄弟的(de )关(🏐)系也很(hěn )紧张(📞)。马(🎫)丁(dīng )是一个没(méi )有船的渔(🖍)夫(🚑)，因为史蒂文开始用它来为一整天的(de )游客提供更赚钱的旅游。他(tā )们卖掉了这座(zuò )家(jiā )庭别墅，现在看来，最后一(yī )场战斗是和新(⛓)主人(rén )在海(hǎi )(🍄)边(biān )的停车位上展开。然(rán )(⛳)而(😍)，情(qíng )(👺)况很快就失控了(🐀)，而不(bú )仅仅是因(yīn )为车轮夹(jiá )钳(qián )。 Bait是(shì )一种黑白，手工制作(zuò )(🐛)，16毫米胶片(piàn )制作的电(diàn )(🚶)影(yǐng )。许多关于(yú )(🔈)鱼、网、龙虾、长(zhǎng )(📧)靴、绳(shéng )(🤥)结(jié )和(📛)渔篮的特写镜头(👵)让(♌)人想起了(le )蒙(🏃)太奇景点的(🔎)理(lǐ )论。对不(🐖)同(tóng )社会(🔫)阶层的描述—(⏳)—可以说是阶级(jí )关系——也让(🍺)人(rén )想(🐂)起了英国(👩)电影中(zhōng )的社(📬)会现(🕺)实(shí )主(🎴)义传(chuán )统。然而(ér )(🏸)，最(zuì )重(chóng )要的是(shì )，在影像中不同层(💕)次的电(diàn )影历史参考文献(xiàn )之下，当前许多政治关(🎞)联正在等待(👆)被(🔍)发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌯) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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