前身(🕕)是皇軍(👷)軍港(gǎng )的吳港,戰後成(chéng )為船塢(wù )工人的生(😘)活煉獄。在資本家剝削和(hé )(🎗)枯(🎹)燥生活(🐉)的雙重(🍖)煎熬下(xià ),躁(🥩)動的(😧)年輕生命,一頭栽進暴(bào )(🏇)力漩渦(😎),延擱成長,終日在打鬥(dòu )、賭博、酗酒中尋(🔲)找暫時(🚉)的麻醉。吉(jí )田(tián )喜(xǐ )重通過(guò )工(😚)頭之(zhī )眼(yǎn ),對不(bú )合(hé )理的社會現(😱)實作出欲迎還拒(🌙)的批判,被視為日(🚨)本(běn )新(⏯)浪(😞)潮代表作之(zhī )一。香山(shān )美子飾演(yǎn )純真的酒館女待,同情工(🙄)人卻(👓)慘被(bèi )強姦,正與(yǔ )(🈴)負(🍄)的能(néng )量(🤷),在(🧤)大時代中比拼互滲(👺),可有超越對與錯(🧟),是與非的位(🌮)置?片末火車(chē )站送別一(yī )場,在家(💍)和社會之間(jiān ),吉田喜重(chóng )作出(👪)了左翼(🃏)的(de )選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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